The audience graph artists own.
Your audience lives in many places.
Ticketmaster knows their address. Mailchimp knows their inbox. Spotify knows what they listen to. Each platform holds a fragment. None of them belong to you. When the platform changes its terms, raises its prices, or shuts down — your relationship with your fans changes with it. That should not be how this works.
An artist's audience should be an asset on the artist's balance sheet.
Not data exhaust on someone else's.
One instrument for the whole audience. Real screens — no mockups.
Overview
Real-time instrument panel for NOVA SAINT’s audience graph.
Every fragment, in one place.
Sarah Lopez bought tickets from Ticketmaster and merch from Shopify. She opted into the drops list on Laylo. We know she's one person. Archeion reconciles identifiers across every source into a single canonical fan — and keeps the receipts.
- Resolves onemail · phone · device
- Methoddeterministic
- Every mergelogged + reversible
Fan profile
Reconciled identity detail and full event stream.
Knowing who consented to hear from you.
A fan record is not a permission slip. Archeion tracks opt-in by channel and by source, so every email and every number carries proof of consent. That is the entire difference between marketing and spam — and it's a line you should never have to guess at.
- Tracked perchannel + source
- Carriesopt-in timestamp
- Marketable now34,180 fans
Fans
Every reconciled identity in the NOVA SAINT audience graph.
| Fan | Contact | Location | Sources | Reach | Events | LTV | Last seen |
|---|---|---|---|---|---|---|---|
JS James SmithSuperfan | james.smith@example.com | Los Angeles, CA | LayloShopify+2 | 24 | $1,840 | 2d | |
JA Johnny AppleseedVIP | +1 (555) 555-0148 | Los Angeles, CA | TMSeated | 11 | $920 | 4d | |
JJ Julie JonesEngaged | julie.jones@example.com | London, UK | LayloMailchimp | 7 | $340 | 1w | |
JD John DoeSuperfan | john.doe@example.com | New York, NY | ShopifyTM+1 | 19 | $1,260 | 3d | |
JD Jane DoeNew | jane.doe@example.org | Chicago, IL | Laylo | 3 | — | 2w | |
MM Mary MajorEngaged | mary.major@example.net | Austin, TX | ShopifyMailchimp | 14 | $760 | 5d | |
BR Bob RobertsVIP | +1 (555) 555-0173 | Toronto, ON | TMSeated+2 | 9 | $540 | 6d | |
AE Alice ExampleNew | — | Stockholm, SE | Dice | 2 | — | 3w | |
SS Sam SampleSuperfan | sam.sample@example.com | Atlanta, GA | LayloShopify | 16 | $1,080 | 1d | |
PP Pat PublicEngaged | pat.public@example.org | New York, NY | Mailchimp | 5 | $120 | 2w | |
CT Chris TesterVIP | chris.tester@example.com | Los Angeles, CA | LayloTM | 12 | $880 | 4d | |
TD Taylor DemoEngaged | taylor.demo@example.net | London, UK | ShopifySeated | 8 | $460 | 1w |
The cohorts you actually care about.
Superfans. Repeat ticket buyers. And the one no spreadsheet hands you: fans who've shown up across two or more cities — the people worth routing a tour around. Cohorts compute live as the audience moves.
Your loyalty score, computed.
Loyalty, engagement, and lifetime value — on formulas tuned for how music actually works. A ticket counts for more than a merch order, which counts for more than an email open, which counts for more than a stream. Weighted the way the industry already knows to be true.
Your audience. Always exportable.
CSV. JSON. The full graph, any time, no ceiling and no exit interview. This isn't a feature we're proud of — it's a clause. If the data is yours, leaving has to be free. So it is.
fan_id,name,email,sms_consent,city,ltv,loyalty f_31a4,Sarah Lopez,s.lopez@…,true,Brooklyn,2410,84 f_77b0,Eleanor Whitmore,eleanor.w@…,true,LA,1840,84 … 48,208 more rows
Verified everywhere it matters.
Paste one identifier and become canonical across nine platforms. Archeion cross-references MusicBrainz to anchor your verified presence — so the audience graph is unmistakably yours, attached to the real you, not a look-alike profile.
Own what you've built.
- 01
The music industry has spent decades letting platforms own the relationship between an artist and their fans. Every renegotiated API, every shuttered service, every price hike has been paid for in lost contact with the people who actually show up.
- 02
Every other industry treats the customer relationship as the asset. It sits on the balance sheet. It survives the vendor. Music has no reason to be the exception.
- 03
Archeion is built on that one principle — quietly, durably, and on the artist's side.
Artists Should Own Their Audience History
For decades, artists have built audiences on platforms they do not control.
From MySpace to Facebook, Instagram to TikTok, ticketing systems to fan CRM tools, each generation promises connection while keeping the relationship itself locked inside someone else's platform.
The result is a fragmented picture of the people who support the work.
Audience data lives in dozens of places. Ticket buyers, merch customers, email subscribers, listeners, RSVPs, and community members are separated across systems that rarely communicate with one another. Artists are left rebuilding the same audience over and over again.
Most of these platforms did not begin with bad intentions. Many were founded to solve real problems for artists. But when audience relationships become assets owned by third parties, incentives inevitably change. Growth demands monetization. Monetization demands control. And control is often exercised by charging artists to reach the very audiences they helped create, or by making it increasingly difficult to leave.
The problem is not any individual company. The problem is a system where artist relationships become someone else's asset.
We believe audience relationships should be durable, portable, and owned by the people who create them. Our mission is to build the independent infrastructure layer that helps artists preserve, understand, and control their audience data across every platform they use.
- We are not another CRM.
- We are not a ticketing company.
- We are not a marketing automation platform.
- We are not an ad network.
- We are not a social network.
- We do not sell fan data.
- We do not monetize audience profiles.
- We do not lock artists into proprietary systems.
- We do not profit from limiting portability.
Instead, we provide a canonical system of record for artist-fan relationships. A place where audience data can be collected, unified, validated, and preserved regardless of which tools, platforms, or services an artist chooses to use today — or in the future.
Artists should be free to change tools without losing their audience history. Fans should be able to support artists without becoming products themselves. Platforms should compete on the quality of their services, not on their ability to hold audience relationships hostage.
To protect that principle, this organization is being designed differently. Our objective is not to accumulate audience relationships as an asset. Our objective is to ensure they remain in the hands of artists.
Success is not measured by how dependent artists become on this platform. Success is measured by how freely they can move between platforms without losing the history, context, and relationships they have spent years building.
We exist to make audience ownership, portability, and transparency the default. Because artists should never lose their audience when the industry changes around them.